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**Barefoot in the Park By Neil Simon
Directed by Joe Parrish
September 9th – 20th, 2020 / Auditions July 25th 7pm & 26th 2pm

Cast =  4M/2F

Paul and Corie Bratter are newlyweds in every sense of the word. He’s a straight-as-an-arrow lawyer and she’s a free spirit always looking for the latest kick. Their new apartment is her most recent find – too expensive with bad plumbing and in need of a paint job. After a six-day honeymoon, they get a surprise visit from Corie’s loopy mother and decide to play matchmaker during a dinner with their neighbor-in-the-attic, Velasco, where everything that can go wrong, does. Paul just doesn’t understand Corie, as she sees it. He’s too staid, too boring, and she just wants him to be a little more spontaneous. Running “barefoot in the park” would be a start. NOMINEE – 1964 Tony Award for Best Play

**Dial M for Murder By Fredrick Knott
Directed by Mary Lou Phipps-Winfrey
Thursday thru Sunday / October 15th – 25th, 2020

Cast = 5M/1F

Tony Wendice has married his wife, Margot, for her money and now plans to murder her for the same reason. He arranges the perfect murder. He blackmails a scoundrel he used to know into strangling her for a fee of one thousand pounds, and arranges a brilliant alibi for himself. Unfortunately…the murderer gets murdered and the victim survives. But this doesn’t baffle the husband: He sees his hireling’s death as an opportunity to have his wife convicted for the murder of the man who tried to murder her, and that is what almost happens. Luckily, the police inspector from Scotland Yard and a young man who is in love with the wife discover the truth, and in a scene of almost unbearable suspense they trap the husband into revealing his guilt, thus freeing Margot

**Over the River and through the Woods By Joe DiPietro
Directed by Vonda Newby-Schuster
Thursday thru Sunday / rescheduled to January 14th thru 24th, 2021

Cast =  3M/3F

THE STORY: Nick is a single, Italian-American guy from New Jersey. His parents retired and moved to Florida. That doesn’t mean his family isn’t still in Jersey. In fact, he sees both sets of his grandparents every Sunday for dinner. This is routine until he has to tell them that he’s been offered a dream job. The job he’s been waiting for—marketing executive—would take him away from his beloved, but annoying, grandparents. He tells them. The news doesn’t sit so well. Thus begins a series of schemes to keep Nick around. How could he betray his family’s love to move to Seattle, for a job, wonder his grandparents? Well, Frank, Aida, Nunzio and Emma do their level best, and that includes bringing to dinner the lovely—and single—Caitlin O’Hare as bait…we won’t give the ending away here.

**Love Letters by A.R. Gurney
A Valentine’s weekend Special Fund Raising Event!!
Featuring Performances by:
Bob and Dona Lancaster – February 12, 2021
Joe Parish and Mary Tush Green – February 13, 2021
John K. Reel and Elisa Balleau – February 14, 2021
Friday – Saturday 8:00 pm / Sunday 2:00 pm
Please note:  Dessert Bar Available  /  All tickets  are $15 (no special pricing for this fund raiser).

THE STORY: Andrew Makepeace Ladd III and Melissa Gardner, both born to wealth and position, are childhood friends whose lifelong correspondence begins with birthday party thank-you notes and summer camp postcards. Romantically attached, they continue to exchange letters through the boarding school and college years—where Andy goes on to excel at Yale and law school, while Melissa flunks out of a series of “good schools.” While Andy is off at war Melissa marries, but her attachment to Andy remains strong and she continues to keep in touch as he marries, becomes a successful attorney, gets involved in politics and, eventually, is elected to the U.S. Senate. Meanwhile, her marriage in tatters, Melissa dabbles in art and gigolos, drinks more than she should, and becomes estranged from her children. Eventually she and Andy do become involved in a brief affair, but it is really too late for both of them. However Andy’s last letter, written to her mother after Melissa’s untimely death, makes it eloquently clear how much they really meant, and gave to, each other over the years—physically apart, perhaps, but spiritually as close as only true lovers can be.

**Charlie’s Aunt By Brandon Thomas
Directed by Jered Becker
Thursday thru Sunday / Reschedule to February 25th thru March 7th, 2021
Cast =  4F/6F

THE STORY:  Jack Chesney loves Kitty Verdun and Charley loves Miss Amy Spettigue. They invite the ladies to meet Charley’s wealthy aunt from Brazil, “where the nuts come from”. Cancelling her visit at the last minute, the millionaire aunt sends the boys into cataclysmic confusion. What do they do now? The problem is solved by drafting their feckless Oxford undergrad pal into a black satin skirt, bloomers and wig. As “Charley’s Aunt”, this charming frump is introduced to the ladies, to Jack’s father and to Stephen Spettigue, Amy’s guardian. When the real aunt turns up, classic comic confusion ensues as Fancourt Babberley, posing as “Charley’s Aunt”, tricks Spettigue into agreeing to the marriage of his ward, the real aunt marries Jack’s father, Jack gets Miss Verdun, and Fanny Babs regains the fortune he lost at gambling as well as the girl he loves.

**STOP KISS By Diana Son 
Directed by Dan Schuster
Thursday thru Sunday / April 8th thru 18th, 2021
Audition Note:  This show was previously cast prior to COVID and reschedule as noted above. 
Call backs maybe scheduled in (TBD).
Rating: PG     3M/3F
Note: Play contains adult content, language, and LGBTQ

Sara and Callie are walking through New York City’s West Village very late at night, when they share their first kiss. This leads to a vicious attack by an angry bystander, in which Sara is horribly injured. She falls into a coma, which becomes one of the major subjects of the play. George, Callie’s good friend, tries to help with the situation, but there is little he can do. Peter, Sara’s ex-boyfriend from St. Louis, comes to help nurse her back to health. Throughout Stop Kiss, relationships are explored, formed, and even ended. Diana Son elaborates on the depths of human emotion and compassion in this play.  The story is told out of chronological order: alternating scenes take place respectively before and after the assault, which is not shown onstage.

**THE DIARY OF ANNE FRANK (Original Text) By Frances Goodrich & Albert Hackett
Directed by John Dalton-White
Thursday thru Sunday / May13th thru 23rd, 2021 
Rating: PG     5M/5F

During the Nazi occupation of the Netherlands Anne Frank began to keep a diary on June 14, 1942, two days after her 13th birthday, and twenty two days before going into hiding with her mother, father, sister, and three other people. The group went into hiding in the sealed-off upper rooms of the annex of her father’s office building in Amsterdam. The sealed-off upper-rooms also contained a hidden door which the Franks would hide in during the parts when Nazi soldiers were investigating the buildings for harbored Jews. They remained hidden for two years and one month, until their betrayal in August 1944, which resulted in their deportation going to Nazi concentration camps. 

A MIDSUMMER NIGHT’S DREAM BY William Shakespeare
Directed by Mary Tush Green
Thursday thru Sunday / June 17th thru 27th, 2021 

A Midsummer Night’s Dream is a play about love and obsession, jealousy and magic.
Theseus, duke of Athens, after conquering the warrior Amazons in battle, is in turn conquered by the charms of their queen, Hippolyta, and they are now planning to marry. To speed the time until their wedding night, he orders amusements to be staged. In a spirit of loyalty, Bottom the weaver and other tradesmen decide to prepare a play for the duke and his bride.

The preparations are interrupted by Egeus, an Athenian, who brings his daughter, Hermia, and her two suitors before Theseus, entreating him to command Hermia to wed Demetrius. Hermia pleads to be allowed to marry the other suitor, the one she loves-Lysander. The duke orders her to obey her father under penalty of death or confinement in a convent. Hermia and Lysander bewail the harsh decree and secretly agree to meet in a wood nearby and flee to another country. They tell their plans to Helena, a jilted sweetheart of Demetrius, and she, to win back his love, goes straightway to inform him of the plan.

Meanwhile, in the forest, the fairy king and queen, Oberon and Titania are at odds. In spite, Oberon bids Puck procure a love-juice to pour upon Titania’s eyelids when she is asleep, in order that she may love the first thing her waking eyes behold. Just then, Oberon sees Demetrius, who has sought out the trysting-place of Lysander and Hermia only to meet Helena, much to his distaste. The lady’s distress at her lover’s coldness softens the heart of Oberon, who bids Puck touch Demetrius’s eyes also with the love-juice, for Helena’s sake.

Meanwhile, Lysander and Hermia arrive, and Puck in error anoints Lysander’s instead of Demetrius’s eyes, so that Lysander, happening to awake just as the neglected Helena wanders by, falls in love with her-and abandons Hermia.

The same enchanted spot in the forest happens to be the place selected by Bottom and company for the final rehearsal of their play. The roguish Puck passes that way while they are rehearsing, and mischievously and magically crowns Bottom with an ass’s head, whereupon the other players disperse terror-stricken. Then he brings Bottom to Titania; and, when she awakens, she gazes first upon the human-turned-to-an-ass and falls in love.

Meantime, the four lovers are greatly bewildered. Oberon finds that Puck has anointed the eyes of Lysander instead of those of Demetrius, so Oberon anoints Demetrius’s eyes with another potion which breaks the spell. When Demetrius awakes, he sees his neglected Helena being wooed by Lysander. His own love for her returns, and he is ready to fight Lysander. Helena deems them both to he mocking her, and Hermia is dazed by the turn of affairs. The fairies interpose and prevent conflict by causing the four to wander about in the dark until they are tired and fall asleep. Puck repairs the blunder by anointing Lysander’s eyes, in order to dispel the illusion caused by the love-juice. Thus, when they awake, all will be in order: Lysander will love Hermia, and Demetrius will love Helena.

Titania woos Bottom until Oberon, whose anger has abated, removes the spell from her eyes. Bottom is restored to his natural form, and he rejoins his comrades in Athens. Theseus, on an early morning hunting trip in the forest, discovers the four lovers. Explanations, follow; the duke relents and bestows Helena upon Demetrius and Hermia upon Lysander.

A wedding-feast for three couples instead of one only is spread in Duke Theseus’s place. Bottom’s players come to this feast to present the “comic” tragedy of Pyramus and Thisbe, which is performed in wondrous and hilarious fashion. After the company retires for the night, the fairies dance through the corridors on a mission of blessing and goodwill for the three wedded pairs.

The Wild Women of Winedale by Jessie Jones, Nichola Hope, Jamie Wooten
Directed by Leroy Clark
Thursday thru Sunday / July 29th thru Aug 8th, 2021 

THE STORY: This joyful and exuberant, yet ultimately touching, comedy focuses on three women at crossroads in their lives—the Wild sisters of Winedale, Virginia—Fanny and Willa and their frustratingly quirky sister-in-law Johnnie Faye. This feisty and fun-loving trio has supported and cheered one another through life’s highs and lows through the years, including the early demise of two of their husbands. And they really need each other now, as Fanny experiences a hilariously inappropriate reaction to her 60th birthday, while Willa is so stressed out from her nursing job she resorts to vodka and speed-knitting to cope, and Johnnie Faye, determined to put her year of fraught widowhood behind her, desperately tries to find a man—preferably a man with a house, since hers is somewhere at the bottom of a Florida sinkhole. These women’s lives are further upended by the responsibility of caring for their free-spirited, ailing aunt and the realization that they are drowning under loads of family keepsakes and possessions nobody wants—especially them! With equal doses of hilarity and heart, these extraordinary women come up with delightful and surprisingly unorthodox ways to clear the clutter from their lives, their homes and their relationships so they can move their lives forward. Together they prove it’s never too late to take another one of life’s paths for a grand new adventure. This Jones Hope Wooten comedy is guaranteed to drive you wild with laughter—and motivate you to keep hounding the kids to please take that stack of quilts and Granny’s Christmas china!